LOGO
Color Scheme :
 
  SEARCH
Search
Sort By
Ascending
Descending
 
  BROWSE CATEGORIES
  B-Independent Resources
  Digital Video
  Distributors
  Film Festivals and Conventions
  Filmmaking Articles
  Filmmaking Resources
  Magazines and Webzines
  Movie Sites
  MySpace
  Off-screen Talent
  On-Screen Talent
  Production Companies
  Review Sites
 
  OUR SPONSORS
 
Get A $30 Rebate from Premiere!!
 
   
 
 
   Home >> Filmmaking Articles >> Writing
 
 
11 Laws of Great Storytelling        
I discovered 11 Laws of Great Storytelling – trends that tend to exist in many of the most memorable stories of all time. Of course, creating unforgettable heroes and villains is an integral part of all the Laws and should always be in the forefront of your mind as a writer.
Category: Filmmaking Articles >> Writing
17 Fast Tips for Creating Realistic Dialog        
17 Fast Tips for Creating Realistic Dialog
Category: Filmmaking Articles >> Writing
40 Basic Plot Points for a Feature Film        
40 Basic Plot Points for a Feature Film
Category: Filmmaking Articles >> Writing
A Guide to Pitching Your Script        
I'm often asked, "What's the right way to pitch an idea?" There aren't any mandatory rules. But the term, pitch , gives the mistaken impression that when the time comes for you to discuss your idea, you're supposed to suddenly start overtly selling the idea to the listener.
Category: Filmmaking Articles >> Writing
Anatomy Of A Great Love Scene        
Anyone that has ever engaged in a real-life love scene understands what makes a great on-screen moment… right? Actually, that’s about like saying if you speak English, you can jump on a Broadway stage and deliver a great performance of ‘Hamlet.’ The truth is that understanding the anatomy of a “Love Scene” can be much more elusive than enjoying one.
Category: Filmmaking Articles >> Writing
Crafting Unforgettable Exits        
In Part Two, columnist Robert Piluso provides some helpful tips on giving your characters a memorable onscreen exit.
Category: Filmmaking Articles >> Writing
Create a Likable Protagonist        
Creating a realistic, yet highly likable protagonist seems a given, but from the scripts I read as a consultant, I wonder if anyone's paying attention.
Category: Filmmaking Articles >> Writing
Creating Characters Based On Personality Type        
Screenwriters often use a character as a jumping off point to write a screenplay. A fireman, mobster, spy, politician, socialite, or artist can be a type of character used as a protagonist in a screenplay.
Category: Filmmaking Articles >> Writing
DEVELOPMENT FOR BEGINNERS:        
When first entering a new career, it can be difficult to absorb all of the information. The sections below are designed to help you, the development beginner, understand the strange things D-people say, and prevent you from appearing to be a novice in the presence of your co-workers -- even if you are one. The following can also be used to keep your interns from asking the same dumb questions over and over again ("What do you mean, 'incoming'? or "What's 'tech avail' mean?")... No offense, interns. Everyone loves you - you give them free labor.
Category: Filmmaking Articles >> Writing
DEVELOPMENT FOR BEGINNERS: part 2        
Tracking may be one of the elements of development that seems the most elusive from the outside, but is actually one of the most simple. The term "tracking" literally refers to keeping track of the available material, including spec scripts and books that agents are going out with around town.
Category: Filmmaking Articles >> Writing
DEVELOPMENT FOR BEGINNERS: part 3        
One of the most important (and annoying) things you have to do as a development assistant, is be able to locate the agent of anyone your boss asks. This is not always as easy as it seems: people change agents frequently, are repped by some little law firm in Kentucky that no one has ever heard of, or (my favorite) are managed by his or her mom.
Category: Filmmaking Articles >> Writing
Establishing and Maintaining Mood        
Here's something interesting: With a movie, the most important element is how it ends, because that's the last thing an audience sees before they walk out. Have an okay beginning and middle, but you've really got to wow them in the end, and they'll recommend it to their friends, family and chiropractor.
Category: Filmmaking Articles >> Writing
European Screenwriter's Manifesto        
Stories are at the heart of humanity and are the repository of our diverse cultural heritage. They are told, retold and reinterpreted for new times by storytellers. Screenwriters are the storytellers of our time. European writing talent should be trusted, encouraged and supported. The European film industries need to find ways to attract and keep its screenwriters in the cinema and in their craft......
Category: Filmmaking Articles >> Writing
Hidden Structures in Great Stories and Their Enormous Power        
When I speak of a great story, I mean stories or films that are critically acclaimed and generally acknowledged to be classics. I also mean bestsellers, box office successes, and stories that have lived for hundreds or even thousands of years. So I’m talking about stories like The Iliad and The Odyssey, The Lord of the Rings and Harry Potter, The Godfather and The Silence of the Lambs, Batman and Superman, Milk and Charlie Wilson’s War, The Verdict, The Lion King, Groundhog Day, Shrek and Macbeth, plus the hundreds of other stories that fit into this category.
Category: Filmmaking Articles >> Writing
Incorporating Emotion into Plot        
When characters share emotions with the audience, it deepens the experience of the story. Viewers are made available to the storyteller through emotion: writers seek an emotional connection with their audience the same way actors and directors do.
Category: Filmmaking Articles >> Writing
Motivate Audiences With Motivation        
More and more articles encourage streamlining scripts, writing only characters necessary to moving the plot forward. This may be the problem that is causing domestic declines in box-office revenue.
Category: Filmmaking Articles >> Writing
Naming Your Baby: How to Find a Great Title to your Screenplay        
How exactly does one work on the title of their screenplay? I recently came up with such a wonderful idea for a movie, one of those miraculous moments, like finding money on the sidewalk. I told somebody, and they said, "Great. What's the title?" Suddenly, and rather horrifyingly, my beauty of an idea is crippled.
Category: Filmmaking Articles >> Writing
No Limitations: The Screenwriter as Writer        
No Limitations: The Screenwriter as Writer
Category: Filmmaking Articles >> Writing
OPTIONS AND SALES - GETTING THE "I DO"        
Playing the Hollywood game to get your script out there is like dating, hoping to find “the one” – which in this case looks like a big spec sale or a greenlight for production on your script. In this world as the writer, you are always the girl, waiting for them to call, for them to ask you out – or to ask for your hand in marriage. For some writers it is always the bridesmaid and never the bride when it comes to selling material.
Category: Filmmaking Articles >> Writing
Parentheticals        
For the most part, parentheticals in screenplays are not only overused but also misused.
Category: Filmmaking Articles >> Writing
Page 1 of 2  
1  2   
 
   
 
  MEMBER LOGIN
 
Username
Password
Member Signup
Forgot password
 
   
 
  OUR SPONSORS
 
 
   
 
 
 
Powered by SoftbizScripts