BROADCAST BOMBSHELLS

Produced by Gary P. Conner
Directed by Ernest G. Sauer
Written by Joe Dinki and Gary P. Conner
Edited by Bill Buckendorf
Director of Photography - Spike Market


Kendall Saranski - Amy Lynn Baxter
Amanda Cross - Debbie Rochon

Two or three summers ago, the movie American Pie sold itself on the tagline “the return of the American sex comedy.” Anyone who’s a fan of b-movies knows that the sex comedy never went away, the budgets just shrank them into obscurity. Case in point, BROADCAST BOMBSHELLS staring the breathtaking Debbie Rochon and the radiant former Penthouse Pet Amy Lynn Baxter.

Most of the action takes place in the newsroom of WSEX where attention is divided between a mad bomber bent on blowing up used car lots and a self help guru bent on defrauding America with his “three little words” that he claims are guaranteed to improve everyone’s life.

The story is contrived, but then again this is a sex comedy. Most of what happens is geared towards setting up the sex scenes so you one really shouldn’t take the plot that seriously to begin with. You don’t watch this type of flick for plot anyway, so who cares about the Mad Bomber or some weirdo self help guru? Certainly not me.

This is the type of flick you watch to get your jollies when you are too insecure to rent porn. What sets the B-sex comedy apart from the A-movie counter parts is the amount of actual sex. American Pie and Road Trip combined don’t have the sex quotient of BROADCAST BOMBSHELLS. And none of the gals in either of those movies can hold a candle to Debbie Rochon in her black leather cat suit.

Man, Debbie in a black leather cat suit. Wow. The moment she donned that suit, she stole the movie right out from underneath Amy Lynn Baxter, the films’ name talent. That’s no small feat considering Amy was a Pet of the year runner up and as gorgeous a lady as they come. Hell, the only thing that could have made this movie better would have been to put Amy in a cat suit of her own.

BROADCAST BOMBSHELLS has long since been out of print and is no longer available.


On 3/24/2002 the following message showed up on the message boards from the screenwriter Joe Dinki.

"As the writer and creator of Broadcast Bombshells I was taken aback at your review of the screenplay of one of the most popular T&A movies on cable.

"Joe Bob Brigs said just the opposite: That the silly screenplay with its sight gags and such is worth the movie... Oh Yes, the idea for Debbie to wear that leather suit was written....I even pick out the outfit and called her Kitten with a whip...what do you think the actors come up with that on the set? My next film Four Deadly Reasons will be out this Spring... I can't wait for you to see it....an rip it apart!"

This was my response:

Just because a movie is popular doesn't mean it's any good. If that were the case BILLY MADISON or ACE VENTURA would be held in higher regard than CITIZEN KANE.

It doesn't take a stroke of genius to put someone as attractive as Debbie Rochon in a leather catsuit, especially in a sex comedy. Since when are sex comedies about anything other than the sex anyway?

Okay, so you wrote Debbie in a cat suit and called her Kitty. Does that change the fact that your dialogue is contrived and mundane? Two points I didn't bother to bring up since I actually enjoyed the movie for what it was, as you yourself point out "T&A".

If this is how you take a positive review, I would hate to see how you react to a negative one. Maybe you're in the wrong line of work?

Feel free to send me a copy of your next film. All movies get a fair shake and I call them like I see them.